03 — Live

Live

You have a band. You have a set. You need a room, sound, lights and people in front of the stage. Discomort helps you get from “we want to play a show” to a venue, a production and an audience that are ready.

From an empty room to the first note.

  1. 01

    Venue

    We find the right room for the show and help make it work.

    We don't own venues, and no date is certain until the venue confirms it.

    Rooms

    • Music clubs
    • Cultural centres
    • Concert halls
    • Small independent venues
    • Industrial & unconventional spaces

    What we sort out

    • Research & selection
    • Dates & availability
    • Talking to the venue
    • Capacity
    • Stage & room fit
    • Technical requirements
    • First production plan
  2. 02

    Production

    Sound. Light. Stage. Everyone on the same rider.

    Sound

    • PA
    • FOH & sound engineer
    • Monitoring
    • Stage inputs & outputs
    • Mics & DI where needed
    • Soundcheck plan

    Light

    • Stage lighting
    • Basic lighting design
    • Lighting operator
    • Working with the venue rig
    • Show-specific requirements

    Stage & technical

    • Stage plan
    • Technical rider
    • Changeovers
    • Basic stage management
    • Production schedule
    • Artist ↔ venue ↔ technicians
  3. 03

    Tickets

    Presale, door and a room that fills up.

    We set up and coordinate ticketing through existing platforms — Discomort doesn't run its own.

    Audience access

    • Presale
    • Ticket links
    • Guest list
    • Door sales
    • Capacity tracking
    • Ticket communication
  4. 04

    Show

    Load-in to load-out.

    Running order

    1. Load-in
    2. Soundcheck
    3. Doors
    4. Show
    5. Load-out

    Bar

    • Beer
    • Non-alcoholic drinks
    • Bar operation

    Only where the venue, the event and the law allow it — not a given at every show.

Only what the show needs

Every show uses only the parts it actually needs.

Discomort doesn't have to supply every piece itself. Often the job is to bring the right venue, people and suppliers together around the artist. Some things we provide directly, the rest comes from the venue or from suppliers we work with — and before the show you know which is which.

Tell us the date, the city and the band.

Build a show